tag:blogger.com,1999:blog-44675689027544485612024-03-21T03:12:54.435-07:00casa das virtudesUMA CASA ACOLHEDORA NO CORAÇÃO DO CENTRO HISTÓRICO DO PORTOUnknownnoreply@blogger.comBlogger11125tag:blogger.com,1999:blog-4467568902754448561.post-83291714871758153152017-08-13T12:53:00.004-07:002017-08-13T13:11:28.622-07:00<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: -35.45pt; margin-right: 14.15pt; margin-top: 0cm; text-align: justify;">
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<b><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-size: large;">A Vista e o Coração </span><o:p></o:p></span></b></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-weight: bold;"> </span><span style="font-size: xx-small;">(english version below)</span></span></div>
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<b><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">O que aconteceu antes <o:p></o:p></span></b></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">A Ana
Madureira tem um trabalho de qualidade invulgar em todas as áreas a que se
dedica - teatro, música e desenho. Apesar disso é pouco conhecida talvez porque
promover a carreira não é uma prioridade na sua vida. Esta falta de estratégia
(digamos) comercial, é uma das coisas que admiro e que, de algum modo, me
parece acrescentar leveza e espessura ao que faz. <o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Eu gosto
muito dos desenhos dela e há muito que a desafio para fazer uma exposição aqui,
na Casa das Virtudes, onde viveu entre 2010 e 2014 e onde deixou ficar alguns
deles. <o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">No ano
passado comecei por lhe encomendar um desenho para a entrada do prédio sobre
uma história de amor, que eu imaginava a espalhar-se pelas paredes acima, como
uma praga. Mas afinal concordámos não ser aquele o espaço adequado e optámos
pela organização de uma exposição no 1º andar que, entretanto, seria
reabilitado. Eu queria ter tudo preparado um mês antes para fazer uma
divulgação exaustiva da exposição. Tencionava esmerar-me e fazer a melhor
produção de todas as que realizei na minha longa e peculiar carreira de
produtora/programadora. Mas os tempos da Ana Madureira não eram os meus,
estávamos desfasadas, e as minhas fantasias e entusiasmo foram- se esboroando.
No fim de Fevereiro acertámos que não haveria desenhos novos mas antes uma
selecção do que já tinha sido feito. Fiquei contente com este acerto de
desejos. Mas o tempo foi passando, deixei de ter notícias novamente e senti-me
desconfortável a lembrar prazos. Acabei por esquecer-me da exposição e marquei
, com o arquitecto Luís Peixoto, a data para inaugurar as obras de
reabilitação. E foi nesse mesmo dia que a Ana Madureira reapareceu e o que
resultou deste encontro está, agora, à vista de todos.<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Há muitos
anos que acompanho processos de criação artística e nada que me dá mais prazer
do que esta cumplicidade. A arte expande a realidade, cria mundo e , sobretudo,
alimenta-nos a alma. Aí está porque apoiar artistas nunca é uma acção
completamente desinteressada - há uma troca em que todos ficam a ganhar. E é
isso que (apenas e) verdadeiramente (me) interessa. <o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Segundo
Maria Filomena Molder quando diante de uma obra, “as associações que fazemos
são também de natureza expressiva e indicam qualquer coisa da experiência
humana em nós. Há um acesso inesperado, por interposta pessoa, à nossa vida”
(1). Esta parece-me uma resposta certeira ao porquê do meu fascínio pelo
trabalho desta artista – os seus desenhos abrem um acesso inesperado à minha
própria vida.</span></div>
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<b><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Sobre os desenhos <o:p></o:p></span></b></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Não sei
porquê mas tenho a impressão que os desenhos lhe surgem espontaneamente, um
pouco como as plantas silvestres irrompem pelos passeios da cidade. E imagino a
Ana Madureira a dar-lhes as boas vindas com o mesmo sorriso simples, generoso e
atento com que recolhe e transfigura os objectos abandonados, que vai
encontrando pelas ruas e acaba por acolher debaixo do seu tecto.<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">No seu
universo artístico tudo está ligado. Não há barreiras entre o mundo animal e o
dos homens - há pessoas com cara de lobo e bodes com corpo humano. Também não
há separação entre os aspectos nobres e comezinhos da vida – “uma mulher traz
na mala vontade de amor e os legumes da sua avó”- escreve ela algures. Essa
fluidez, proporcionada pela desconsideração de muros, é transmitida de forma silenciosa
e eficaz. Há uma intensidade dramática, presente em tudo, que parece surgir da
tensão entre a crueza (e o que há de sombrio) e a sensibilidade, o possível e o
impossível, a fantasia e o sofrimento. E o movimento está sempre lá, mesmo na
imobilidade das figuras. <o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Tenho a
impressão, porventura errada, que nos seus desenhos, predominam as mulheres e
os animais. Muitas das figuras têm uma aparência áspera, rude, em que o sexo
pode surgir escancarado. Têm um ar desconfiado misturado com qualquer coisa que
a miséria vai incrustando, em tudo o que toca. Tudo isto me parece resultar de
um contacto íntimo com os aspectos mais violentos da vida, que estes personagem
aparentam conhecer bem. Geralmente têm os olhos muito abertos, como as crianças
que observam tudo, muito atentas, mas silenciosas e indefesas. Sinto estas
figuras bem enraizadas, são fortes e intensamente verticais. Muitas têm uma
atitude de desafio, fazendo frente à vida. Talvez o que me fascina seja esse
poder de enfrentamento, sem hesitações. Mas ao mesmo tempo estão carregadas de
ironia, um humor corrosivo, por vezes negro, que impregna tudo.
Desconcertantes, partem para a luta mas vão armadas com uma gargalhada muda,
que se apodera da nossa alma. Mas há desenhos intensamente poéticos, que nos tocam
da mesma forma que os gemidos de uma guitarra portuguesa. Por vezes há
personagens que se desdobram, a metade esquerda separa-se, total ou
parcialmente, da metade direita, como alguém que fala de si para si.<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Também há
uns mini-livros que a Ana Madureira costura, na sua máquina eléctrica, para
ligar as poucas folhas. Mas cada desenho é uma história concisa e intensa que
fala sobre a vida no que tem de desconcertante e de violento mas também das
linhas de fuga – o humor, a fantasia e a poesia - que a iluminam.<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">A
utilização da cor corrobora tudo isto. O preto é, por vezes, acompanhado por
cores sempre em tons suaves, sobretudo o vermelho, a cor que o sangue tem. Talvez a escuridão
só seja suportável se puder ser interrompida (?).<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"> Graça
Passos | São
Brás de Alportel, 17 de Abril,2017<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">(1)“O que é
que a Louise Bourgeois sabe que eu não sei”, em “Rebuçado Venezianos”, 2016,
Relógio D’Água, Lisboa.</span></div>
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<b><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Biografias<o:p></o:p></span></b></div>
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<b><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; mso-bidi-font-family: Calibri;">Ana Madureira<o:p></o:p></span></b></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; mso-bidi-font-family: Calibri; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Nasceu em
1980. Depois de terminar a licenciatura em Direito, mergulhou definitivamente
na formação em teatro, dança e clown. Primeiro no CITAC, em Coimbra,
depois na companhia Circolando. A música, a ilustração e a escrita
foram desenvolvidas em contextos de experimentação autodidacta, a solo ou em
interacção com outros artistas. Na Holanda integrou o colectivo
musical Gudubik. Em residências artísticas no Instituto Grotowski, alargou
a sua ideia e experiência de canto, voz e presença teatral. Durante dois
anos esteve no c.e.m- Centro em Movimento, em Lisboa, onde trabalhou com Sofia
Neuparth e Ana Rita Teodoro. Depois disso, começou a criar com a
comunidade: <i>Noveloteca</i>, convite de Madalena Victorino; <i>Guia-me</i>,
convite da Casa das Brincadeiras; <i>teus imaginarius meus</i>, convite do
Imaginarius 2012; Pé<i> no mar, cabeça na terra</i>, convite do Festival
Rádio Faneca 2014, Ílhavo- são projectos que reúnem em livros de autor,
instalações, visitas guiadas e ateliers de formação, o seu olhar de ilustradora
e actriz sobre as histórias das pessoas. Das suas criações de teatro, destaca
os solos <i>CabraCega</i> (2012) e<i> Dama Pé de Mim </i>(2016).
Com Vahan Kerovpyan, músico, actor, ilustrador parisiense, criou <i>Lav
Lur</i>, um dueto musical-teatral. <o:p></o:p></span></div>
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Clown Laboratori Porto, plataforma de formação e experimentação na arte do
palhaço. Na sua prática artística e pedagógica procura trabalhar o corpo
aberto, capaz de escutar e agir a partir do instinto e do momento presente.<o:p></o:p></span></div>
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<b><span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; mso-bidi-font-family: Calibri;">Graça Passos <o:p></o:p></span></b></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; mso-bidi-font-family: Calibri;">(Faro,1958) .
Bióloga, professora, produtora cultural/programadora e cidadã activa.
Interessa-se por arte contemporânea e agricultura biológica. Dirigiu o CENTA
entre 1989/2009. Fundou e integrou várias OSC culturais e ambientais,
actualmente pertence à PTF-Plataforma Transgénicos Fora e ao Tavira em
Transição.<b><o:p></o:p></b></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="color: #404040;">evento: https://www.facebook.com/events/641624989381747/</span></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Ana
Madureira has an unusual quality to every area she works in - theatre, music
and drawing. Despite this she is little known, maybe because promoting her
career os not one of her life priorities. This lack of "commercial
strategy" is one of the things I admire,and one which, somehow, seems to
add lightness and density to what she does.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">I like her
drawings very much and it has been for a while now that I have been challenging
her to make an exhibition here in Casa das Virtudes, where she lived between
2010 and 2014 and where she left some of her works.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">It started
with me ordering her a drawing for the building entrance - a drawing about a
love story, which I imagined spreading high up the walls like a plague. Finally,
we agreed that entrance hall wasn't a suitable space and decided upon an
exhibition that would take up the first floor - which, meanwhile, would be
rehabilitated. I wanted to have everything prepared a month in advance, so that
I could advertise the event exhaustively. I intended to dedicate myself to
pulling the best production yet in my long and peculiar producer/programmer
career. But my time and Ana’s time didn't match, we were desynchronized, and so
my fantasies and enthusiasm were crumbling. In the end of February we decided on
a selection from the work that has been done up to that point instead of new
drawings. I felt happy about this settlement of desires. But the time went on
and I stopped having any news from Ana again and felt uncomfortable while
remembering deadlines. Eventually I forgot about the exhibition and settled an
inauguration date for the rehabilitation works. On the same day, Ana Madureira
reappeared and what has happened due to this encounter now stands before
everybody’s eyes.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">I have been
following artistic creation processes for many years now and there is nothing
that pleases me as much as this complicity. Art expands reality, creates a
world and, above all, it nourishes one’s soul.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Here's the
reason why supporting artists is never a totally selfless act - there is an
exchange, in which everybody wins. And that is the (only) thing that has the
true meaning (to me).<o:p></o:p></span></div>
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to Maria Filomena Molder, when facing a work of art , “the associations we make
are also of expressive nature and indicate something of our human experience.
There is an unexpected access, through the intermediate person, to our own life”.
This seems to be an accurate answer when questioning my own fascination with
this artists' work - her drawings open up an unexpected access to my own life.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><b>About the
drawings </b><o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">I don't
know why, but I have an impression that the drawings appear to her
spontaneously, slightly similar to the wild flowers that break out through city
sidewalks. And I can imagine Ana Madureira welcoming them with the same simple,
generous and attentive smile that she has while gathering and transfiguring the
abandoned objects which she keeps finding and sheltering under her roof.</span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">In her
artistic universe everything is connected. There are no barriers between the
animal and the human worlds - there are people with wolf faces and goats with
human bodies. There is also no separation between the noble and light aspects
of living - "a woman brings will to love and vegetables from her
grandmother in her purse", she writes someplace. This fluidity, provided
by disregard for punches, is transmitted silently and effectively. There is a dramatic
intensity, present in everything, which seems to emerge from the tension
between the rawness (and what darkness there is) and the sensibility, the
possible and the impossible, the fantasy and the suffering. And the movement is
always there, even in the immobility of the figures.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">I have an
impression, perhaps a wrong one, that in her drawings women and animals are
predominant. Many of the figures have a harsh, rough appearance - where the sex
can appear wide open. They have a suspicious look mixed with something that
misery keeps embedding in everything it touches. All of this seems to result
from an intimate contact with the more violent aspects of life, which these
characters appear to know well. Generally they have wide open eyes, like
children who are observing everything, very attentive, but silent and
defenseless. I feel these figures well rooted, they're strong and intensely
vertical. Lots of them have a challenging attitude, face-to-face with life.
Perhaps what fascinates me is this power to cope, with no hesitations. At the
same time they're filled with irony - corrosive, sometimes dark humor, which impregnates
everything. Disconcerting, they go to the fight but they're armed with a mute
guffaw that catches hold of ones' soul. There are also intensely poetic
drawings, that touch us in the same way the moans of a Portuguese guitar do. At
times there are characters that unfold - the left half separates itself, either
totally or partially, from the right side, like one talking to oneself.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">There are
also the mini-books that Ana Madureira sews on her electric sewing machine in
order to connect the scarce sheets. But every drawing is a concise and intense
story that talks about life, about the disconcert and the violence, but also
about the vanishing points - the humor, the fantasy and the poetry - which
light her up. <o:p></o:p></span></div>
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colors corroborate all of these. Black is sometimes accompanied by colors always in smooth tones, especially by red - blood color. Perhaps darkness is only bearable if it
can be interrupted(?).<o:p></o:p></span></div>
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Graça Passos | São Brás de Alportel, 17 de Abril,2017<o:p></o:p></span></div>
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<b><span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><span style="font-size: medium;">Biographies</span><o:p></o:p></span></b></div>
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<b><span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Ana Madureira<o:p></o:p></span></b></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Ana was
born in 1980. After finishing her bachelor studies in Law, she definitively
dived into theatre, dance and clown studies. First in CITAC in Coimbra and
after in the Circolando company. Music, illustration and writing were developed
in experimental, self-taught contexts, in solos or while interacting with other
artists. She integrated a musical collective called Gudubik in Holland. As a
resident artist in the Gotowski Institute she widened her ideas of and
experience in singing, voice and theatrical presence. She spent two years at
c.e.m.- Centro em Movimento in Lisbon, where she worked with Sofia Neuparth and
Ana Rita Teodoro. After this she started to create with the community:
Noveloteca, with invitation from Madalena Victorino; Guia-me, invitation from
Casa das Brincadeiras; teus imaginarius meus, invitation from Imaginarius 2012;
Pé no mar, cabeça na terra (foot in the sea, head on the earth), invitation
from Rádio Faneca Festival 2014, Ílhavo - these are projects that reunite her
illustator and actress views on peoples' stories in artist books,
installations, guided tours and educational workshops. From her theatre
creations she highlights solos CabraCega (2012) and Dama Pé de Mim (2016).
Alongside Vahan Keropyan - parisian musician, actor and illustrator - Lav Lur
was created, a musical and theatrical duet.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">She is a
member of Clown Laboratori Porto, an educational and experimental platform on
clown art. In her pedagogical and artistical practices she seeks for an open
body work, body that is capable of listening and acting from the instinct and
from the present moment.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><b>Graça
Passos</b><o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">(born in
Faro,1958)<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Biologist,
professor, cultural producer/programmer and an active citizen. She is
interested in contemporary arts and organic agriculture. She directed CENTA
(Center for Studies on New Artistic Tendencies) between 1989 and 2009. She has
funded and integrated several environmental and cultural NGO's, she is
currently a part of PTF - Platform Transgenic Out and Tavira in Trasitioning.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">event: https://www.facebook.com/events/641624989381747/</span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4467568902754448561.post-57371495232510007062014-03-10T06:45:00.002-07:002014-03-18T08:53:37.639-07:00LAV LUR em Paris!<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb7Sg4a2MRhyphenhyphenh5K9qzWJJvLNRvkyczrGm4i5ywzsFdwMskg0OHGfdCtziYdvxbojDVeG884TDMjwxcjo-CwkNk0IkUeq8cufa33vH0DJMSLgidKHnjqmnwoFlDUXOLTwSrqgB_NTiVg2o/s1600/lavluranakomars14-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb7Sg4a2MRhyphenhyphenh5K9qzWJJvLNRvkyczrGm4i5ywzsFdwMskg0OHGfdCtziYdvxbojDVeG884TDMjwxcjo-CwkNk0IkUeq8cufa33vH0DJMSLgidKHnjqmnwoFlDUXOLTwSrqgB_NTiVg2o/s1600/lavluranakomars14-2.jpg" height="300" width="400" /></a></div>
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<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><span style="line-height: 115%;">Dois enviados
especiais recuperam as notícias esquecidas e devolvem-lhes a voz, o corpo e o
sentido perdidos. Com acordeão, contrabacia, cavaquinho, uma concha e duas
colheres de pau, cantam notícias de vários mundos, inventando descomplicada e
surpreendentemente, letras, tradições e formas inomináveis, mas familiares. </span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><span style="line-height: 115%;">Um concerto para
qualquer canto, uma esquina de rua, um palco, uma mercearia, um sótão, um barco.</span></span></div>
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<span style="font-size: x-small;">fotografias de Graça Passos</span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Para mais informações:</span><br />
<small><big><a href="http://penicheanako.org/agenda/2014-03-20-lav-lur" target="_blank">http://penicheanako.org/<wbr></wbr>agenda/2014-03-20-lav-lur</a></big></small><br />
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<br />Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-4467568902754448561.post-52536934094658039322014-02-08T11:03:00.001-08:002014-02-14T17:28:42.920-08:00<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "Trebuchet MS",sans-serif;">Temos boas notícias para dar! </span></h3>
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<span style="font-family: "Trebuchet MS",sans-serif;">Abrimos a porta da Casa das Virtudes para um acontecimento que se repete nos dias 22 e 23 de Fevereiro, às 17h (com duração aproximada de 2 horas).</span></h3>
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<span style="font-family: "Trebuchet MS",sans-serif;"> </span></h3>
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<span style="font-family: "Trebuchet MS",sans-serif;">No
nr<b>.17</b> da rua Dr. Barbosa de Castro</span></h3>
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<span style="font-family: "Trebuchet MS",sans-serif;"><b>Aconselhamos reserva:</b> casadasvirtudes@gmail.com ou 91 9192525 </span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><b><span style="font-size: large;">Conversa à volta do corpo e da arte</span> </b></span><span style="font-size: small;"><span style="font-weight: normal;"><span style="font-family: "Trebuchet MS",sans-serif;"> </span></span></span></h3>
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<span style="font-size: small;"><span style="font-weight: normal;"><span style="font-family: "Trebuchet MS",sans-serif;">guiada por Graça Passos e Sofia Neuparth</span></span></span></h3>
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<span style="font-size: xx-small;"><span style="font-family: "Trebuchet MS",sans-serif;">Trabalho de investigação artística no âmbito do festival Pedras d'água 13 | cem- centro em movimento</span></span><b></b><span style="font-size: xx-small;"><span style="font-family: "Trebuchet MS",sans-serif;"> <a href="http://pedras14.wordpress.com/" target="_blank">http://pedras14.wordpress.<wbr></wbr>com/</a></span></span><br />
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<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;"><i>A questão
política é antes de mais a capacidade de quaisquer corpos tomarem em mãos o seu
destino.</i> <span style="font-size: x-small;">(Jacques
Rancière, <i>O espectador emancipado</i>)</span></span></div>
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<w:WordDocument>
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<w:Zoom>0</w:Zoom>
<w:HyphenationZone>21</w:HyphenationZone>
<w:PunctuationKerning/>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:Compatibility>
<w:BreakWrappedTables/>
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<w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel>
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<w:LatentStyles DefLockedState="false" LatentStyleCount="156">
</w:LatentStyles>
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<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Tabela normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
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mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:"Times New Roman";
mso-ansi-language:#0400;
mso-fareast-language:#0400;
mso-bidi-language:#0400;}
</style>
<![endif]--><!--[if gte mso 9]><xml>
<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
<w:HyphenationZone>21</w:HyphenationZone>
<w:PunctuationKerning/>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:SnapToGridInCell/>
<w:WrapTextWithPunct/>
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<w:DontGrowAutofit/>
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<w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel>
</w:WordDocument>
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<i><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">''Quando
morremos não vamos para o paraíso, morrer é o paraíso''</span></i><i><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: Arial;"> </span></i><br />
<i><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: Arial;">ClariceLispector</span></i>
<br />
<div align="right" class="Predefinio" style="text-align: right;">
<br /></div>
<div class="Predefinio" style="text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Escolhi a boca como ponto de partida.
Sinto o espaço vazio no interior da boca.</span></div>
<div class="Predefinio" style="text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">A língua está um pouco elevada, ela
toca ligeiramente o palato mole e recusa-se a pousar-se no chão da boca. O ar
frio penetra na boca quente. </span></div>
<div class="Predefinio" style="text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Quando mordemos, fechamos os olhos?</span></div>
<div class="Predefinio" style="text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Fazer o paraíso presente e não algo a
devir. Multi-bocas, um corpo que fala por todos os lados, um corpo que come por
todos os lados. Homenagem à boca, paraíso que vem a galope.</span></div>
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<div class="Predefinio" style="line-height: 150%; text-align: justify;">
<b><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; line-height: 150%;">Interpretação
e Coreografia<span style="mso-spacerun: yes;"> </span></span></b><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; line-height: 150%;">Ana Rita
Teodoro</span></div>
<div class="Predefinio" style="line-height: 150%;">
<b><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; line-height: 150%; mso-bidi-font-family: Arial;">Produção<span style="mso-spacerun: yes;"> </span></span></b><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; line-height: 150%; mso-bidi-font-family: Arial;"><span style="mso-spacerun: yes;"> </span>Centre
NationalDanseContemporaine de Angers ( Master ESSAIS)</span></div>
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<b><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: large;">Lav Lur</span> </span></b><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">(música)</span></span><b><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></b></div>
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<span style="color: black;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCxfgHYEGRGrR91gwFehWu7Z1WBuz-XYdz-bpxLRyA-MAcYtmeKFqKsHkq_D2GIjOkMHPLPLfGrBJArL16NgFMjtoFC_aWzFyyxn7eJMvcM0J74uQc1uLA0bN3eN6r7WeppJ13cIf4Sqg/s1600/imagem.LavLur.comtitulo.flat.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCxfgHYEGRGrR91gwFehWu7Z1WBuz-XYdz-bpxLRyA-MAcYtmeKFqKsHkq_D2GIjOkMHPLPLfGrBJArL16NgFMjtoFC_aWzFyyxn7eJMvcM0J74uQc1uLA0bN3eN6r7WeppJ13cIf4Sqg/s1600/imagem.LavLur.comtitulo.flat.jpg" height="320" width="240" /></a></span></div>
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<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;">Lav Lur, agência de viagens</span><br />
<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;">Dois enviados especiais recuperam as notícias esquecidas, trazem-nas para a sua agência e devolvem-lhes a voz, o corpo e o sentido perdidos.</span><br />
<span style="font-size: small;"><br /></span>
<b><span style="font-family: "Trebuchet MS",sans-serif; font-size: small;">Ana Madureira e Vahan Kerovpyan</span></b><br />
<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span><br /></div>
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<span style="font-size: large;"><b><span style="font-family: "Trebuchet MS",sans-serif;">Exposição colectiva de desenhos</span></b></span><br />
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<span style="color: black;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnW917i_UMQAcBvi-335d06xc7e-KCMs9mJYwhsLCfBoqcL2BGSVAh_91T-FM3A1eccZpKqdgY3EIlyv2Z_Tne6xrQ-MQ9DE18dXzMiGwJ0hdWFjvLxdPVkX4a9hmU7yJZTOdlt41LYeE/s1600/andreferreira1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnW917i_UMQAcBvi-335d06xc7e-KCMs9mJYwhsLCfBoqcL2BGSVAh_91T-FM3A1eccZpKqdgY3EIlyv2Z_Tne6xrQ-MQ9DE18dXzMiGwJ0hdWFjvLxdPVkX4a9hmU7yJZTOdlt41LYeE/s1600/andreferreira1.jpg" height="320" width="220" /></a></span></div>
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<span style="font-family: "Trebuchet MS",sans-serif; font-size: x-small;">André Ferreira</span><br />
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<span style="color: black;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqMWsvk0kPxuCkcHF93nEOmISN8JsUFd6L3LDyRjO5ycrZlVFDcKBEOxD_CyyJp51TpWp-ZdprSeQNQQ6OjZTN64yRibQKhrS5QwVDZ17TCvw1aqhO_uEFgCtpyfPBifnrL3QLIil751E/s1600/JoaoSusana_08c.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqMWsvk0kPxuCkcHF93nEOmISN8JsUFd6L3LDyRjO5ycrZlVFDcKBEOxD_CyyJp51TpWp-ZdprSeQNQQ6OjZTN64yRibQKhrS5QwVDZ17TCvw1aqhO_uEFgCtpyfPBifnrL3QLIil751E/s1600/JoaoSusana_08c.jpg" height="158" width="320" /></a></span></div>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">João Sá e Susana Correia</span></span><br />
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<span style="color: black;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg22p8tFION6a8hzmtOnMx0Tnx0WvHaa_6Nt-zhPCn5HeLPsVEq3lNFw2G2By31BOSyE05usP4ImRJXlMsTck1xBRMh-mK3BwKDkljFEtMpEVE3CsnbgaTCmbrIEUeSjGji3SbfbgXvm0/s1600/rencontres+solidaires-Anako-Maral+Kerovpyan.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg22p8tFION6a8hzmtOnMx0Tnx0WvHaa_6Nt-zhPCn5HeLPsVEq3lNFw2G2By31BOSyE05usP4ImRJXlMsTck1xBRMh-mK3BwKDkljFEtMpEVE3CsnbgaTCmbrIEUeSjGji3SbfbgXvm0/s1600/rencontres+solidaires-Anako-Maral+Kerovpyan.jpg" height="288" width="320" /></a></span><br />
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">Maral Kerovpyan</span></span></div>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMcJPtSLp_p1LaH9G3pOK1MdHDOtMci0JNOtQHWDpJX34M7j5GfhWzToZH7ZRGg9wYfde9BnJC4VRO5YAHZEuFzKN-GYlaPjI227261r_PUEvXFHTO0khc_BpXGaxr3ov9bAwcFoIKfg0/s1600/imagem.marujinho.peq.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMcJPtSLp_p1LaH9G3pOK1MdHDOtMci0JNOtQHWDpJX34M7j5GfhWzToZH7ZRGg9wYfde9BnJC4VRO5YAHZEuFzKN-GYlaPjI227261r_PUEvXFHTO0khc_BpXGaxr3ov9bAwcFoIKfg0/s1600/imagem.marujinho.peq.jpg" height="240" width="320" /></a></div>
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<span style="font-family: "Trebuchet MS",sans-serif; font-size: x-small;">Ana Madureira</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBWS0YOjBXLNETxToon5FQlLP5eJSPWnySOxLFAqJWNf1bDY03mSaxiD4UBE4S4iLB1zxHf59E6AcJu0GV75c7glEMmRjMz6Kc1dqV77T1AlA2cK6YDpL7gwuPKqO1LNt3Mso54jEvEXU/s1600/brincamulher.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBWS0YOjBXLNETxToon5FQlLP5eJSPWnySOxLFAqJWNf1bDY03mSaxiD4UBE4S4iLB1zxHf59E6AcJu0GV75c7glEMmRjMz6Kc1dqV77T1AlA2cK6YDpL7gwuPKqO1LNt3Mso54jEvEXU/s1600/brincamulher.jpg" height="249" width="320" /></a></div>
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<span style="font-family: "Trebuchet MS",sans-serif; font-size: x-small;">Vahan Kerovpyan </span></div>
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<h2>
<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><b>Mestre de cerimónias: </b></span></span><span style="font-weight: normal;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;">Sara Araújo</span></span></span> </span></h2>
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<span style="font-size: large;"><span style="font-family: "Trebuchet MS",sans-serif;">Sobre os artistas:</span></span></h3>
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<b><span style="font-family: "Trebuchet MS",sans-serif;">Ana Madureira</span></b></div>
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<b><span style="font-family: "Trebuchet MS",sans-serif;"><!--[if gte mso 9]><xml>
<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
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<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
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<w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel>
</w:WordDocument>
</xml><![endif]--></span></b></div>
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<b><span style="font-family: "Trebuchet MS",sans-serif;"><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" LatentStyleCount="156">
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<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Tabela normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
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mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:"Times New Roman";
mso-ansi-language:#0400;
mso-fareast-language:#0400;
mso-bidi-language:#0400;}
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</span></b><span style="font-family: "Trebuchet MS",sans-serif;"></span></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Actriz
e ilustradora. Na sua prática artística procura alargar as possibilidades de
vida em cena, convocando o teatro, a música, o clown e a dança. Na folha em
branco, desenha inquietações mais e menos conscientes, sem medo do minimalismo.</span></div>
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<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Tem
criado objectos artísticos inspirados no trabalho com diferentes comunidades,
em projectos que propõem às pessoas valorizar as suas próprias histórias e desafiar
o olhar sobre si e o mundo.</span><br />
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">O seu blog: http://www.alminhaldeia.blogspot.pt</span></div>
<b><span style="font-family: "Trebuchet MS",sans-serif;">
</span></b><br />
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<b><span style="font-family: "Trebuchet MS",sans-serif;">Ana Rita Teodoro</span></b></div>
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<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
<w:HyphenationZone>21</w:HyphenationZone>
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<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:SnapToGridInCell/>
<w:WrapTextWithPunct/>
<w:UseAsianBreakRules/>
<w:DontGrowAutofit/>
</w:Compatibility>
<w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel>
</w:WordDocument>
</xml><![endif]--></span></b></div>
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<w:LatentStyles DefLockedState="false" LatentStyleCount="156">
</w:LatentStyles>
</xml><![endif]--><!--[if gte mso 10]>
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/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Tabela normal";
mso-tstyle-rowband-size:0;
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mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:10.0pt;
font-family:"Times New Roman";
mso-ansi-language:#0400;
mso-fareast-language:#0400;
mso-bidi-language:#0400;}
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<b><span style="font-weight: normal;"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">É coreógrafa e bailarina. </span></span></b><span style="font-weight: normal;"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Acaba</span></span><b><span style="font-weight: normal;"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;"> de concluir o mestrado do CNDC de
Angers e da Universidade Paris8, onde desenvolveu como pesquisa a criação de
uma “<i style="mso-bidi-font-style: normal;">Anatomia Delirante</i>”. O Butoh tem
sido uma das suas áreas de interesse artístico. Associada ao c.e.m. com a Sofia
Neuparth, estudou o corpo </span></span></b><span style="font-weight: normal;"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">através d</span></span><b><span style="font-weight: normal;"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">as disciplinas de anatomia, paleontologia e
filosofia. Desenvolveu trabalho com diferentes comunidades e de interacção com
o espaço público. Criou as peças <i style="mso-bidi-font-style: normal;">MelTe
(2009), Curva(2010), OrificeParadis (2012), Reved’Intestin (2013) e Assombro(2013).</i></span></span></b></div>
<br />
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<b><span style="font-family: "Trebuchet MS",sans-serif;">André Ferreira </span></b></div>
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<![endif]--><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Com o pseudónimo “Goran Titol” começou a dar a
conhecer as suas composições musicais que, desde 2007, passaram a constituir
parte do seu universo interior. Mais descobertas, mais experiências. Animou-se.
Conjugou sons e imagens,</span><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;"> electronica e passionalmente. Hoje escava com o
olhar e com as mãos as histórias de outrora e compõe, com os mesmos utensílios,
as estórias que vão brotando do chão quente e seco da paisagem alentejana. É
este encanto que serve de cenário inspirador à sua arte literária, pictórica e
musical. De pés fincados entre o sonho e o real, está consciente de que essa
aparente antítese se desfaz quando o produto final é algo concreto, algures
entre o que tem realizado e o que tem pensado.</span>
</div>
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<br /></div>
<b><span style="font-family: "Trebuchet MS",sans-serif;">Graça Passos</span></b><br />
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</span></b><span style="font-family: "Trebuchet MS",sans-serif;"></span></div>
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<![endif]--><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Licenciei-me
em Biologia, ramo educacional na F.C.L. e aí iniciei o meu trabalho de produção
cultural no “Teatro Emarginato”. Em 1988 fui convidada a trabalhar com o grupo
de artistas plásticos da galeria Monumental o que me levou à criação da galeria
Monumental/Bertrand e, posteriormente, à fundação do C.E.N.T.A., em Vila Velha
de Ródão, encerrado em 2009 e que dirigi durante 20 anos. No início dos anos 80
acompanhei a implantação da agricultura biológica no país e, dez anos
mais tarde, colaborei na introdução deste modo de produção em Ródão, na herdade
da Tapada da Tojeira onde resido. Em Junho de 2011 envolvi-me na acampada
Rossio e, a partir daí, dediquei-me a aprofundar questões que relacionam as
minhas áreas de interesse- ensino, agricultura, ciência e arte contemporânea. O
contacto estreito com o c.e.m ( estrutura de investigação artística), tem-me
permitido acompanhar a reflexão actual das questões relacionadas com o corpo.</span></div>
<br />
<div class="MsoNormal">
<b><span style="font-family: "Trebuchet MS",sans-serif;">João Sá</span></b></div>
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</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;">Sempre me interessou a fronteira entre as artes – o
espaço despenteado entre elas.</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;">Tenho vivido a agarrar tudo o que é curso e workshop:
de escultura a manipulação de objetos; teatro, marionetas, clown, danças...</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;">Para fazer! Fazer sempre muito! Mas sempre ao lado...
sempre fora desta ou daquela gaveta.</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;">Ao nivel da expressão plástica, cedo me apaixonei pela
pasta de papel: material com cheiro a brinquedo, teatro, circo e feira popular.</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;">Com objectos criados por mim, percorri as principais
mostras de artesanato do país.</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;">Com escultura policromática, em pasta de papel, fiz
algumas exposições.</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;">(Salpoente, Aveiro, 1995; Espaço LabMed, Porto, 2000;
"Beijos e Gaiolas", Galeria Artésis, Vila Nova de Gaia, 2002;
Convento Corpus Christi, Vila Nova de Gaia, 2011.)</span></div>
<div class="MsoNormal" style="background: white; line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;">Fascina-me, também, a ruptura da
fronteira entre artista e público.</span><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;"></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;">Tenho criado uma série de exposições, performances e oficinas em que o
público mergulha no jogo criativo</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0in; text-align: justify;">
<span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS"; mso-fareast-language: PT;">(Exposições: "É proibido NÃO mexer nos objectos expostos",
Cooperativa Árvore, Porto; “Máquinas Pictorioactivas” e “Padrões Caóticos”,
Fundação Serralves. Performances vivenciais: “Mandalas Comestíveis", Rio
Ganges (Recife) e Quintal Bioshop; "Eco Arte", Miguel Bombarda 566 e
E.S.M.A.E.; "TerrABRAÇO", Teatro Latino e LaMarmita; Jantar Cego,
LaMarmita e Casa Betâmia).</span><br />
<br />
<span style="background: white; font-family: "\0022Trebuchet MS\0022"; font-size: 10.0pt; mso-bidi-font-family: "Trebuchet MS";"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><b>Sara Araújo</b></span></span></span><br />
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<![endif]--><span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS";">Recentemente licenciada
em Animação e Produção Cultural na Escola Superior Artística do Porto. Estagiou
como assistente de produção na 36º edição do FITEI - Festival Internacional de
Teatro de Expressão Ibérica. Faz parte do grupo Clown Laboratori Porto, que é
uma plataforma de formação/exploração da arte do Palhaço. Possui sete anos de
experiência como animadora, participando em variadíssimos eventos por todo o
país.</span></span><br />
<br />
<b><span style="font-size: small;"><span style="font-family: "Trebuchet MS";">Sofia Neuparth</span></span></b><br />
<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;"><span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS";"><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" LatentStyleCount="156">
</w:LatentStyles>
</xml><![endif]--><!--[if gte mso 10]>
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{mso-style-name:"Tabela normal";
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<![endif]--><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Nasci em Lisboa, em 1962. Sempre amei o movimento!
As minhas primeiras tentativas em dança foram com Teresa Rego Chaves e Anna
Mascolo, depois de ter sido corrida de uma classe de ginástica rítmica para a
qual … obviamente… não tinha nascido.</span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;"><span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS";"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Fiz a minha formação em dança clássica com o mestre
Tony Hulbert, embora não possa esquecer a importância que tiveram Madame
Violette Quenolle, Anatoli Gregoriev, Jorge Garcia ou Michel Renaud.</span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;"><span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS";"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Aos 18 anos comecei a ensinar dança e a estudar
filosofia, anatomia e fisiologia Terminei o curso de tradutora intérprete do
ISLA e completei a Alliance Française e quando concorri para cargos onde
poderia aplicar directamente essas ferramentas percebi que a minha vida seria
criar espaços onde pudesse dedicar-me ao estudo do corpo e da relação.</span></span></span><br />
<div class="MsoNormal" style="text-align: justify;">
<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;"><span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS";"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Durante 6 anos fiz estágios em Londres, no “The
Place”, e noutras escolas de dança contemporânea, onde tive a oportunidade de
desenvolver trabalho com artistas como Robert North, Kazuku Hirabayashi, Lloyd
Newton ou Karen Burgin.</span></span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;"><span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS";"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Trabalhei voz com Mário Marques e Lúcia Lemos e
cantei em bares com a Banda de Zé Carvalho.</span></span></span></div>
<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;"><span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS";"></span></span><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Considero muito importante para o meu percurso na
arte o encontro no final de 80 com a European Dance Development Center, em
Arnhem, na Holanda onde fui para um estágio de meses e acabei dando as aulas da
Mary Fulkerson(Mary O’Donnel), então co-directora da escola.</span><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;"> </span><br />
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Além da experiência como professora de grupos de
alunos vindos de toda a parte do mundo, tive ainda oportunidade de estudar com
Eva Karckzag, Simone Forti, Martha Moore, Peter Hulton, Jim Fulkerson, Sally
Silvers, Mary O’Donnel, Bonnie B. Cohen, Aat Hougeé e Lisa Krauss.</span><br />
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Ainda no início de 90 trabalhei como intérprete nas
criações de Mary Fulkerson, Amélia Bentes, Peter Michael Dietz, José Laginha e
Miguel Abreu e comecei a compor as minhas “situações performativas”.</span><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;"> </span><br />
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Também no início desta década comecei a
agregar criadores e teóricos de várias áreas para reflectir sobre a
urgência da criação de um espaço elástico para formação, criação e investigação
artística. Foram anos de dedicação à construção de novas vias de trabalho de
Corpo para começar a construir plataformas que deram origem à criação do que é
hoje o c.e.m – centro em movimento uma estrutura conectora que se
dedica à formação e investigação artística, à criação e experimentação ao
trabalho com as pessoas e lugares partindo do estudo do Corpo em relação.</span><br />
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">A necessidade de me manter constantemente activa
enquanto cidadã expressa-se nos debates e conferências em que participo
defendendo um lugar para o desenvolvimento da Arte enquanto forma essencial de
Conhecimento. Co-fundei e fiz parte da direcção da REDE - Associação
de Estruturas para a Dança Contemporânea, uma supra-estrutura que reúne
estruturas profissionais portuguesas. </span><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;"> </span><br />
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Penso que, de uma maneira global, o foco essencial
do meu trabalho tem sido a relação. Sempre que utilizo a palavra CORPO
refiro-me, de facto, a essa complexa entidade não só biológica, atravessada de
sonhos, movimentos, invenções, pensamentos ou relações.</span><br />
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Movimento-me frequentemente naquilo que desconheço.
No meu percurso enquanto investigadora é frequente sentir que o chão só se cria
à medida que o meu pé caminha. Desde os 19 anos tenho desenvolvido trabalho com
indivíduos com casos pessoais especiais (doenças terminais, deficiências
mentais profundas, deficiências físicas, grupos estigmatizados..)
Reconheço-lhes sempre o eco em mim.</span><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;"> </span><br />
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Oriento e acompanho a formação pessoal e artística
de pessoas vindas das mais diversas culturas e estratos sociais… pessoas com
graus de desenvolvimento e formas de estar consigo e com o mundo completamente
diferentes. Não posso deixar de pensar que essa pluralidade que tem constituído
a minha experiência pessoal e profissional.</span><br />
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Escutar, criar e comunicar são e serão a minha vida.</span><br />
<span style="font-family: "Trebuchet MS",sans-serif; font-size: small;"><span style="background: white; font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: "Trebuchet MS";">
</span><span style="font-family: "Trebuchet MS"; font-size: 8.0pt;"> </span></span><span style="font-family: "Trebuchet MS",sans-serif; font-size: small;">
</span><br />
<b><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;">Susana Correia</span></span></b><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: Arial;"> </span><br />
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<span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: Arial;">Nasce
num dos últimos dias dos anos 60.</span><b><span style="font-family: "Trebuchet MS",sans-serif;"></span></b><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;">
</span></span></div>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: Arial;">Ao longo dos anos 70,
vai perscrutando o que é isso da <i style="mso-bidi-font-style: normal;">vida</i>
– apresentam-lhe a dança e descobre-a como a forma mais pura de se conectar com
<i style="mso-bidi-font-style: normal;">ela</i>!</span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: Arial;">Pelos anos 80, canaliza
os seus estudos para a área das artes plásticas, ingressando, nos seus finais,
no curso de arquitectura. Mantém-se ligada à dança ao que se junta algum estudo
na área da música e um pouco de teatro.</span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: Arial;">Os anos 90, revelam-se
de grandes mudanças: abandona as áreas artísticas focalizando a sua atenção –
estudos e profissão – na educação e sua vertente pedagógica. Olhando hoje para
trás percebe que a sua necessidade de expressão artística passou a expressar-se
através do outro – a criança.</span></span><br />
<span style="font-size: small;"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-bidi-font-family: Arial;">O início deste novo
século, uma reviravolta em sua <i style="mso-bidi-font-style: normal;">vida</i>
se manifesta na busca de um sentido mais amplo para a <i style="mso-bidi-font-style: normal;">existência</i>. Procura, hoje, reintegrar o seu percurso artístico e
profissional. Ainda timidamente no artesanato tem dado expressão a esta nova
fase.</span></span></div>
<span style="font-size: small;">
</span><b><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;">
</span></span></b><br />
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><b><!--[if gte mso 9]><xml>
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<b><span style="font-family: "Trebuchet MS",sans-serif;">Maral Kerovpyan</span></b><br />
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<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">Nascida
em Paris, ilustradora e realizadora de filmes de animação, guia <span style="mso-spacerun: yes;"> </span>também ateliers para crianças e adultos. Entre
os temas recorrentes do seu trabalho, estão a descoberta do ‘outro’ e a
capacidade dos humanos de construir e destruir os muros, visíveis e invisíveis,
que os separam. A sua inspiração vem das suas acções pedagógicas, sociais e
políticas. </span></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS"; font-size: 8.0pt;">O
seu blog é: <a href="http://maralk.blogspot.fr/" target="_blank">http://maralk.blogspot.fr/</a></span></div>
<b><span style="font-family: "Trebuchet MS",sans-serif;">
</span></b><br />
<div class="MsoNormal">
<b><span style="font-family: "Trebuchet MS",sans-serif;">Vahan Kerovpyan </span></b><br />
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</xml><![endif]--></span></b><span class="hoenzb"><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;">Percussionista, pianista, cantor e recém
acordeonista, explora os territórios que ligam música, teatro e movimento.
Membro de vários grupos musicais, colabora regularmente com companhias de dança
e teatro, em Portugal, França e Polónia.</span></span><span style="font-family: "Trebuchet MS"; font-size: 8.0pt; mso-ansi-language: PT; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: PT;"><br />
<span class="hoenzb">No seu trabalho, confronta as moralidades e contradições de
si mesmo, jogando com as preocupações, fantasias e curiosidades que o
movem.</span></span></div>
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<br />
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><b>EXTRA:</b> No sábado dia 22 fev, as Boas Notícias continuam à noite no Gato Vadio:</span></span><br />
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span> </span><br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJWLsEidk-4CHCfwWjiPQ-hStkwmBSKOyB9DVhmKnAde-h0_zZrJqXTr7zMmcSEKpXiNLTZp5C7NdVG-N2Ro4KL3_m2o2a-XbfTM2mhCjzoC8WVcrdyY8yL12_mVsdJJ3DrmXq7xUIFik/s1600/cartaz_gatovadio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJWLsEidk-4CHCfwWjiPQ-hStkwmBSKOyB9DVhmKnAde-h0_zZrJqXTr7zMmcSEKpXiNLTZp5C7NdVG-N2Ro4KL3_m2o2a-XbfTM2mhCjzoC8WVcrdyY8yL12_mVsdJJ3DrmXq7xUIFik/s1600/cartaz_gatovadio.jpg" height="320" width="234" /></a></div>
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span> </span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></div>
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<!-- Blogger automated replacement: "https://images-blogger-opensocial.googleusercontent.com/gadgets/proxy?url=http%3A%2F%2F1.bp.blogspot.com%2F-NQAZ0WZQbzs%2FUvZ3TR00pEI%2FAAAAAAAAAKg%2FXX0WqCLQEYk%2Fs1600%2Frencontres%2Bsolidaires-Anako-Maral%2BKerovpyan.jpg&container=blogger&gadget=a&rewriteMime=image%2F*" with "https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg22p8tFION6a8hzmtOnMx0Tnx0WvHaa_6Nt-zhPCn5HeLPsVEq3lNFw2G2By31BOSyE05usP4ImRJXlMsTck1xBRMh-mK3BwKDkljFEtMpEVE3CsnbgaTCmbrIEUeSjGji3SbfbgXvm0/s1600/rencontres+solidaires-Anako-Maral+Kerovpyan.jpg" -->Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4467568902754448561.post-64494687066520769052013-07-24T03:49:00.002-07:002013-07-24T03:51:07.342-07:00Medz Bazar na Casa das Virtudes<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimRMVBxsXAXTyte6d215mR_socQpH0WOxb9BwZaqjuufNsFYZtC7pxZNzjXJRtQ3VSlN_Zl8nbp4R48qRFFV4REvY0mvz_n_9LyZf9zhGgVzvy1B7SKykayMB3DeLL9oo9zp5VCqeYpYw/s1600/posterMedzBazar.cores.fundorosa.pequeno.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimRMVBxsXAXTyte6d215mR_socQpH0WOxb9BwZaqjuufNsFYZtC7pxZNzjXJRtQ3VSlN_Zl8nbp4R48qRFFV4REvY0mvz_n_9LyZf9zhGgVzvy1B7SKykayMB3DeLL9oo9zp5VCqeYpYw/s320/posterMedzBazar.cores.fundorosa.pequeno.jpg" width="226" /></a></div>
Em residência artística no Porto, de 15 a 22 de Julho, os Medz Bazar foram acolhidos pela Casa das Virtudes. Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4467568902754448561.post-29418023071053088312012-10-07T13:49:00.003-07:002012-10-08T02:36:14.055-07:00Manobras na Casa das VirtudesA Casa das Virtudes acolheu, de 3 a 6 de Outubro de 2012 dois projectos integrados na semana aberta do Manobras:<br />
<br />
o <a href="http://www.alminhaldeia.blogspot.pt/p/guia-me.html" target="_blank"><b>Guia-me</b></a>, de Ana Madureira<br />
<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmjXLeFOsgyyB6RBVByogqaWiTCgGbwkEmqDWtQqH5soVfKG-O6_Xt2DvrmfcUJU1vNlY78HhtaNxBCepUn5JrI3lKOJx7O59hXT0MyvFt21B7h35CeGIcxBh79azgW31HddY_0EwfhiU/s1600/DSCF6373.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmjXLeFOsgyyB6RBVByogqaWiTCgGbwkEmqDWtQqH5soVfKG-O6_Xt2DvrmfcUJU1vNlY78HhtaNxBCepUn5JrI3lKOJx7O59hXT0MyvFt21B7h35CeGIcxBh79azgW31HddY_0EwfhiU/s200/DSCF6373.JPG" width="200" /></a></div>
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<br />
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e<br />
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<b>StarDust</b>, do <a href="http://www.demo.pt/" target="_blank">Demo</a><br />
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e ainda, em jeito de festival off, o duo<b> Estupendo Inuendo</b>, que inaugurou a sala de espectáculos da cozinha do 2ºandar!<br />
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4467568902754448561.post-38861168984805682782012-04-29T06:33:00.000-07:002012-04-29T06:33:21.840-07:00convidados no 2º andar<div class="separator" style="clear: both; text-align: center;">
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4467568902754448561.post-23186178593372845662012-03-19T18:32:00.002-07:002012-03-19T18:53:18.656-07:00writings from our amazing armenian guests<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr9FnDwoS1VqPq_juzhmXHWqQpN-2Iua9W-7vFjSqEbO99nkJeBaMMs1Ch_eXqQLsdZQjdl24krBD9_z3KfitqKk1bfEJqd3qusY-YSMzdtebm80HEi-hMFXKWMnbPCODpUt-fLXm9E6g/s1600/DSC_0667.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr9FnDwoS1VqPq_juzhmXHWqQpN-2Iua9W-7vFjSqEbO99nkJeBaMMs1Ch_eXqQLsdZQjdl24krBD9_z3KfitqKk1bfEJqd3qusY-YSMzdtebm80HEi-hMFXKWMnbPCODpUt-fLXm9E6g/s320/DSC_0667.JPG" width="212" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><b>Laure</b><br />
Casa das Virtudes, or one of the loveliest weekends of my lives. Dear readers, let me share with you a recipe for perfect happiness: get together 6 friends and rent out the Casa for 4 or 5 nights. Enjoy the clean and crisp look and all its amenities. And by that I mean: enjoy the beautiful view from the ROOF! Please don't fall off, though, because then you would miss meeting Ana. She will be your neighbor, the best neighbor you could possibly have. Sing in the cobbled streets of Porto, enjoy the purity of your exchanges with the locals and have a good night's sleep in this inspiring, simple space.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQdBpILhMZJrUgq6RpeuYKC3iK8FFDB43H0vHhx_lZrnB9PdGxxRS9bikBjPI1-ae93awAlHDYXwrp1mwftuWKhiHCdJyxgcXzGoIPfsm0xwus2-0TOXq20Z7El84I-yutka4NeL01p-Q/s1600/DSC_0670.JPG" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQdBpILhMZJrUgq6RpeuYKC3iK8FFDB43H0vHhx_lZrnB9PdGxxRS9bikBjPI1-ae93awAlHDYXwrp1mwftuWKhiHCdJyxgcXzGoIPfsm0xwus2-0TOXq20Z7El84I-yutka4NeL01p-Q/s320/DSC_0670.JPG" width="212" /></a><br />
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<b>Vahan </b><br />
good friends<br />
cheap flight<br />
short stay<br />
pack light<br />
no plan<br />
four nights<br />
have fun<br />
see sights<br />
<br />
get there<br />
looks nice<br />
pretty view<br />
no mice<br />
sit on roof<br />
once or twice<br />
happiness<br />
has no price<br />
<br />
bowl of soup<br />
ocean breeze<br />
sangria<br />
orange trees<br />
in the bar<br />
who are these<br />
all become<br />
new buddies<br />
<br />
tripeiros<br />
good surprise<br />
really cool<br />
girls and guys<br />
sing a song<br />
voices rise<br />
too much fun<br />
time flies<br />
<br />
super bock<br />
drink a toast<br />
to new friends<br />
to our host<br />
feel at home<br />
or almost<br />
better than<br />
we'd supposed<br />
<br />
ana's place<br />
good choice<br />
dance around<br />
free your voice<br />
going out<br />
making noise<br />
with tripeiro<br />
girls and boys<br />
<br />
singing<br />
arants kez<br />
singing in<br />
portugues<br />
we'll come again<br />
be your guests<br />
in casa das<br />
virtudes<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQdBpILhMZJrUgq6RpeuYKC3iK8FFDB43H0vHhx_lZrnB9PdGxxRS9bikBjPI1-ae93awAlHDYXwrp1mwftuWKhiHCdJyxgcXzGoIPfsm0xwus2-0TOXq20Z7El84I-yutka4NeL01p-Q/s1600/DSC_0670.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />
</a></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4467568902754448561.post-43058231620163820732012-03-19T18:16:00.001-07:002012-03-19T18:38:09.612-07:00visitantes de Março<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div>Maral, Shushan, Vahan, Sipana, Sevana, Laure were the first armenian guests of Casa das Virtudes. They came from Paris and New York. Together we discovered hidden treasures of my city, the orange trees, the speaking crow with no wings in a surprising neighborhood near feira da Vandoma, the broas de mel (delicious cakes made with leftovers), the restaurant O Rei dos Galos, whose lady owner had received a postcard from Obama...and we sang everywhere, everywhere!, rising our voices to the sky!<br />
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